Showing posts with label adsense for. Show all posts
Showing posts with label adsense for. Show all posts

Friday, September 3, 2010

Mastering Digital SLR Photography

David D. Busch, “Mastering Digital SLR Photography”
Course Technology PTR | ISBN 1592006051 | December 2004 | 
280 Pages | 7,94 Mb

Greetings Photography Enthusiasts!

In the words of the author, "This book won’t cheat you. Unlike most of the “digital photography” books on the shelves, this one doesn’t waste half its chapters telling you how to overcome your digital camera’s shortcomings in Photoshop. There are a lot of great Photoshop books that can do that. No, the best part about the new breed of digital SLRs is that they have exciting new capabilities that will let you take great pictures in the camera, if you know how to use the tools at your fingertips. This book emphasizes digital photography rather than software. It shows you how to take compelling pictures and make great images using imaging technology, while taking into account the special strengths of digital SLR cameras. Whether you’re a snap-shooting tyro, or an experienced photographer moving into the digital SLR realm, you’ll find the knowledge you need here.

Thursday, September 2, 2010

Lightroom 3: Streamlining Your Digital Photography Process

Nat Coalson, "Lightroom 3: Streamlining Your Digital Photography Process"
Wiley | 2010 | ISBN: 047060705X, 0470907975 |
400 pages | PDF | 21,2 MB

Product Description:
"I’ve worked my entire adult life in digital imaging, from managing high-volume production departments to running my own photography and printing businesses. And for many years, I’ve been teaching photographers how to be self-sufficient when it comes to working with their digital images.

Having used all major image editing software released over the past twenty years, I now choose to use Lightroom because it allows me to work quickly, helps me deal with large numbers of images and lets me get back to enjoying the creative aspects of photography.

From my experience, I know how hard it can be to learn new ways of doing things–especially computer stuff. Unfortunately for a lot of photographers, struggling with digital processing can take the fun out of photography. Trying to figure out the intricacies of file formats, resolution, color management, etc., and even simply where to put all the files can be daunting tasks. Worse yet, sometimes it’s hard just to know the right steps to get the best quality from a single photo!

It’s my mission to ease your pain; to show you that you really can be in control of your entire imaging process, and help you develop a personalized workflow that fits your style and needs. My students frequently tell me how liberating this is: to comfortably handle all the files coming off the camera and residing on hard disks, to work methodically through a known sequence of steps and to produce finished pictures that you’re proud to show other people. This is at the heart of the photographer’s experience, and I want you to know this sense of confidence and capability.

I’ve taught large groups and individual photographers alike. Over the years I’ve learned where people get stuck. I understand the pitfalls new users face when first starting to use Lightroom as well as the concerns of more experienced users looking for ways to tweak their workflow for better performance. I want to help you overcome these challenges.

My goal for this book is to teach you to effectively use Lightroom 3 as quickly and easily as possible. My writing has been heavily influenced by my experiences working with clients and students, and I’ve approached the content of this book as I would tutor someone in a one-on-one training session. The order in which concepts are presented and the emphasis I give to certain aspects of the workflow are unique among books of its kind.

We’ll start by reviewing some important, basic principles, such as working with Lightroom catalogs, the Lightroom workflow, color management, and an introduction to Lightroom 3’s updated tools and screen interface. From there, we jump right in to importing images into Lightroom. This is followed by a step-by-step editing tutorial that will make your work much easier. Then we move on to in-depth explanations of how to perfect each photo for tone, color, contrast, sharpness and much more. After a detailed look at exporting images out of Lightroom, the next three chapters deal with presenting your work to others with prints, Web sites and slideshows. Finally, we’ll wrap up with an in-depth look at advanced techniques for integrating Lightroom with other software.

Wednesday, September 1, 2010

Get the Image You Want: Essential Photoshop Editing Techniques

Get the Image You Want: Essential Photoshop Editing Techniques
Peachpit Press | June 18, 2005 | ISBN-10: 0321348966 |
288 pages | CHM | 8.4 Mb
Creating great photographic images doesn't stop with perfecting your shooting techniques. Once you have your photo in digital form, you can take it to the next level with image editing tools like Photoshop. While other Photoshop books go from feature to feature, explaining every little detail of this expansive program, this book is separated into eight chapters that deal with the main aspects of working with images in Photoshsop. This way, you can keep the book next to your workspace and reach for it whenever you need the perfect solution to an image-editing problem. Readers will start with learning basic image editing concepts, such as importing files, correcting color and tone, cropping images, and using masks and filters. Also included is a problem/solution section at the end of each chapter, containing specific techniques and streamlined fixes that you can apply to the most common image-editing challenges. Along the way, this full-color, gorgeously illustrated book offers practical help and hundreds of creative ideas. Targeted at the serious beginner, this four-color reference book teaches core Photoshop and digital imaging concepts at an affordable price and an accessible page count.

A Short Course in Canon EOS Digital Rebel Photography

A Short Course in Canon EOS Digital Rebel Photography
ShortCourses.com | September 2003 | ISBN-10: 1928873421 | 
120 pages | PDF | 46.85 Mb

This book/eBook package is your guide to getting more interesting and creative photos with your Canon EOS Digital Rebel digital camera--called the EOS 300D in some countries. If you want to learn more about the concepts of photography, this book/ebook is for you. It discusses every camera setting in a clear, well-illustrated style, but it also does much more. You'll see why and when you use specific settings, not just how to set them. You’ll find that this guide helps you quickly master your camera so you’ll be getting the kinds of photos you hope for. The book is printed in black & white and has a well-liked spiral binding that lets the book lie flat or be folded back. The accompanying eBook on a CD disc is a printable and searchable full-color version of the same book in Adobe's popular PDF format. It can be read on a PC or Mac using the free Acrobat Reader or any current Web browser. The CD also includes trial versions of a few of the author's favorite progra! ms.

Tuesday, August 31, 2010

Creative Close-Ups: Digital Photography Tips and Techniques

Harold Davis, "Creative Close-Ups: Digital Photography Tips and Techniques"
Wiley | 2009 | ISBN: 0470527129 | 240 pages | PDF | 27,2 MB
The art of macro photography-photographing small objects or super close-ups of small sections of big objects-yields fascinating results, but shooting at this level brings its own set of challenges. Now you can shoot close-ups with confidence and creative flair with this information-packed guide.

Renowned photographer Harold Davis provides pages of field-tested techniques on focus, depth-of-field, exposure-even the appropriate equipment to use for this unique niche of digital photography. The book includes stunning and intriguing examples of his work to illustrate concepts.
Walks you through the basics of macro photography, whether you're capturing an insect, a flower, a close-up of the texture of a pine cone, or more
Shows you how to overcome the challenges of this type of photography, such as using the appropriate equipment and how to handle focus, depth of field, and exposure
Takes you beyond the fundamentals to help you develop your own creative style
Informs and inspires you with the author's own stunning examples of macro photography

Join the vast and beautiful world of small photography with this essential guide.

Amazon Exclusive: Photography Tips and Techniques from Harold Davis

How to Use Shadows to Enhance Your Composition
How to Use LAB Color for Black and White Effects
Professional Photography Techniques from Harold Davis

Amazon Exclusive: Interview with Award-Winning Photographer Harold Davis

We hear you’ve written some new digital photography titles. What’s the story behind these books?
Wiley Publishing is releasing three new books of mine, Creative Close-Ups: Digital Photography Tips & Techniques , Creative Night: Digital Photography Tips & Techniques , and Creative Composition: Digital Photography Tips & Techniques . My idea with these books was to help people become better photographers by presenting the subject of digital photography in a different way.

What’s different about your approach?
They say that cameras don’t take photos, people do. It’s really true. Someone with a great eye can take masterful photos with an inexpensive camera. Therefore, it is important to know something about photo technique, but the really amazing thing is that we can conceptualize and come up with these bits and bytes that make up a photo—and they can be meaningful to people. I try to help people come up with images that are relevant and meaningful. Cameras and hardware are just tools.

What’s with all the photos in these books?
Well, everyone likes to look at striking images, so one thing my photos do in these books is get people’s attention. However, the photos play another role as well. Each photo in my book is accompanied by the story of how the photo was made and the technical data related to the photo. That way, if you’re not ready to dive into the text itself, you can learn a lot just by browsing the photos.

My feeling is that you truly do learn about photography by looking at photos. It’s much more important to look at images you admire and try and figure out why you like them than it is to read about photography. The photos in these books are baked into the DNA of the teaching strategy. By browsing through the pages, someone can learn a great deal and have an enjoyable visual experience at the same time.

What’s the most important thing that readers can get out of your new books?
I want to inspire readers to be the most creative and best photographers they can be. If you pick up one of my books, I hope you can make use of the technical content and see how the photos relate to some of your own work. The most important thing, however, is to take the ideas in the book, get out there, and do some really peddle-to-the-metal creative photography.

Popular Photography and Imaging set of 2007 and parts of 2006

Popular Photography and Imaging set of 2007; 1-3 and 9-12 of 2006
PDF | 30-60MB each
Popular Photography and Imaging is one of the magazine that runs review of new products, hardware and software from average to experienced level. Their reviews is good for beginner but had some limits for professional. Here is the set of 2007; 1-3 and 9-12 of 2006

Monday, August 30, 2010

Photography and Literature (Exposures) By François Brunet

Photography and Literature (Exposures) By François Brunet
Publisher: Reaktion Books 2009 | 192 Pages | ISBN: 1861894295 | PDF | 17 MB

Roland Barthes, one of photography's most influential critics, once described the 'trouble' introduced by the advent of photography. Approaches to the two subjects of literature and photography tend to assess the literary effects of photography, with literature seen as the older, broader, more established cultural form, and photography the new, alien upstart. In Photography and Literature, François Brunet reverses the angle of vision to examine photography's encounters with literature from the point of view of photography and photographers, providing a new way of understanding photography's interplay with literature and the printed page. The book assesses the complete history of photography, and Brunet begins by showing how photography's invention and its publication were shaped by written culture, both scientific and literary. In turn he examines its early and durable incarnation in the book format, the ongoing and often repetitive 'discovery' of photography by writers, and, finally, the game of mirrors by which, in the twentieth century, photography and literature are seen to trade tools and even merge formats. The book's photographic point of view is especially reflected in the attention given to writings by photographers, from Henry Fox Talbot's groundbreaking exploration of photography in The Pencil of Nature of the 1840s, to Raymond Depardon's correspondence or Sophie Calle's projects with Jean Baudrillard and Paul Auster. Ultimately, Brunet argues that the histories of photography and literature since 1840 have been drawing closer together, and that their convergence has provided recent writing with a new 'photo-textual' genre. Offering a wealth of examples from writing - from autobiography, manifestoes and fiction - and a fascinating variety of images from the mid-nineteenth century to the twenty-first, Photography and Literature will be of interest to anyone excited by the historic relationship of text and image.

New York Institute of Photography

New York Institute of Photography
Publisher: NYIP | ISBN: N/A | 1993 | PDF | 30 books | 356MB

NYIP offers three courses: The Complete Course in Professional Photography, Fundamentals of Digital Photography, and Photoshop for Photographers. NYIP’s multi-media training includes lesson textbooks, discussions of photography on CD, and training DVDs. Students submit projects that are reviewed by a professional photographer who records evaluations of them as digital MP3s. All students benefit from access to a student advisor who can answer questions by phone or e-mail.

This 30 books set is everything you need to learn photography. It was published during the film era, however all the basic and technique of photography are still the same.

The books were not combined into one large file, but separated so that each book can be downloaded individually. The reason being; some people may not need certain book, e.g.: the lessons regarding films.